Twenty-five years down the road at the very least, which
should not be an issue, is to be established wherever I may be at the
time. I say established in the basic
sense that my photography will be my career and I will have a constant stream
of work to keep me busy. During this
time though, given the age difference, I may not be providing work for venues
like I would be doing in the earlier years.
I may tend to focus on more high-end events and have a couple of assistants
to help make sure that the whole event is covered at all times. I would try to focus more on galas and events
of that sort. Over the years I would
have acquired more funds to purchase more equipment, not just cameras and
lenses but also lighting equipment. This
would allow me to branch out into portraiture and more studio work to ensure
that when big events aren’t happening I am able to keep busy and keep a steady
flow of income. The main question here
is if I will be opening a studio and have another set of rent to pay each month
or shoot out of a room in the house.
Regardless of which you can still produce the same quality images. One thing I would tend to stay away from
though is weddings, unless it is solely for a friend. While weddings pay good, I have never had a
very fun experiencing whilst shooting them. I would have no problem doing
engagement photos or anything of that sort, it is just the wedding ceremony in
general which I will stay away from.
Monday, July 30, 2012
Week 3 Challenge: You Incredible!
Six years ago I had embarked on a journey in which I never
would have imagined. I was fresh out of
high school ready to take on the world, and so I did. Okay, not the whole world but on country that
I had always wanted to see. I spent a
month of my life, at the age of eighteen, in Australia. I took on this journey with a friend and his
brother. During this time we traveled to
numerous spots around Australia to see what else the world had in store outside
of the states. We came across many people
that we still talk about to this day and a few in which we still talk to, to
this day. The image I selected is of me
in a park in Melbourne. For those who do
not know, Melbourne is the art capital of Australia so we had seen some pretty
amazing things. This is one of the only
images on my trip of me being somewhere.
I took many pictures while there and the majority of them did not have
me or anyone else in them. During this
time I had not taken up any type of photography so everything was done with a
simple point and shoot. We used this to
keep track of our journey and took numerous pictures of the various places we
had explored. Some of these places were
the Picasso museum in Melbourne, the rainforest/sky rail in Cairns, The Great Barrier
Reef and of course the wonderful Sydney Opera House. The one month I spent outside of the country
had changed many ways I had thought and opened my eyes to the world in a whole
new way.
Week 3 EOC: National Geographic Photo Critique
Unexplored places always provide a sense of wonder. Images such as this show that nature is full
of surprises and can make quite the masterpiece. This image portrays a place in which I would
have never imagined. This image is
beautiful in many ways, the first being the color. The image, being monochromatic,
stood out to me because the majority of all other images had amazing
color. For a change it was nice to see
something that wasn’t just amazing color and contrast. While those images are beautiful, they don’t evoke
what this image does. The depressed
shutter to catch some motion of the waterfall is always an added touch to bring
everything to life. The highlights in
the back of the image on the black rocks help to lead the eye to the waterfall
which then takes it through the rest of the photograph. One thing that stands out to me is the shape
of the rocks in the back., and also how they seem to step out the higher you
get. This is something astonishing,
something in which we see in nature but nothing to this extent. Everything this image says to me is such a
mystery. Are all the rocks on the bottom
of the photo from the rocks cascading down the sides? With how the light is coming through, is the
light source a hole in the ceiling and this is actually a cave? Without delving
deeper into the photo most will never know, but one thing is for sure, it will
keep your mind asking for more just to get those unanswered questions.
Monday, July 23, 2012
Week 2 Challenge: Paparazzi
This photo challenge to me was something a bit difficult but
something also completely new. I had
never considered myself able to shoot something “paparazzi” style, in fact, I
despise that style. A co-worker of mine
is friends with a man who plays in a bigger indie rock band that goes between
California and here. While using this to
my advantage I decided to tag along with them as they hung out one night. The image I chose was that of almost a basic
headshot but one that evoked something more than just being an image, this one
to me had a sense of life to it. It had
attitude and also portrayed the individual how he is. During the course of me tagging along I got
numerous shots of both individuals but I decided to make this about my
co-workers friend since I had used the co-worker as a subject before.
In post I had cropped the picture a tiny bit so it didn’t
look as awkward. The only lighting that
I used were the lights in the area which gave off an orange glow so I changed
the temperature a little. Aside from
that and a little exposure bump everything else was left as done in
camera. I had equipped my flash but
after a few images of harsh lighting I was not liking the way it came out so I
swapped to my 50mm 1.4 and opened the aperture up to get those ambient light
images.
Monday, July 16, 2012
Week 2 EOC: La Dolce Vita
One thing I found to be interesting was how the paparazzi
over time started to dwindle in numbers.
While I am sure it is like that in the real world as well I am sure that
it probably would not have dropped by that amount. When Sylvia first got off the plane she was
greeted with nearly 20 paparazzi and at the end there were only four left. I do have to say what got me is how the
paparazzi was unable to get the shot right off the bat so they had asked her to
go back in, granted it is only a celebrity photo, it still is not the actual
event which is something that photography gets criticized on a lot, being
staged. This also plays into when the
paparazzi had instigated the boyfriend into the fight scene.
For the photo assignment I have a couple ideas that I am
playing with both dealing with downtown Las Vegas and a performer of some
sort. Depending on how the creative
juices flow, I may end up doing something more artistic rather than the typical
paparazzi style, but also something that provides more into how the paparazzi
are. This would be portrayed by seeing
the paparazzi trailing the subject, and playing around with different shots to
still get the paparazzi feel for the image.
Overall I am still trying to figure out how to play into it with the
second idea but I’m sure in time I will find a solution to this problem.
Week 1 Challenge: Constructed Self Portrait
Weegee had always been a favorite photographer of mine ever since I had first come across him in the history of photography class. His motto, "f8 and be there," has definitely shown me what is possible when documenting events and how to get the best out of an image. It was said that he had a knack for knowing the perfect time to release the shutter and looking through his images I can definitely agree. The image I chose was one of his titled "Their First Murder." This image had always been one of my favorites due to the raw emotion throughout the image and the sense of chaos it seems to invoke. The process of placing myself in the image was quite simple after a few hours of trial and error. My first attempt I had made my self portrait black and white. After playing around with that I then realized due to the light yellow undertone of the original image I was unable to go that route. My main goal throughout the entire project was edit myself into the original image whilst leaving the original image as intended by the photographer. My second route was to take myself and desaturate that in the original using a layer mask. This one seemed to work out much better. After I got my color as close to that of the original I created another layer mask on my self portrait and started to wipe away the edges and sit myself into the background. Once this was done I threw on a noise filter, just a little bit, to make it seem as if though it were part of the original image.
Monday, July 9, 2012
Week 1 EOC: Stallion not Unicorn
The market for event photography is quite vast. Events come and go in the blink of an eye and
the best way to keep the memory of them alive is through images. While choosing to do event photography I will
mostly be shooting natural light, which I do prefer to studio lighting. With the constant movement at events I am
forced to work under constant pressure and have to find the answers to problems
in the blink of an eye. My preference of
events would be shooting concerts for bands or anything music related. I would love to do this as freelance work so
I can get my work out to whoever would be a potential buyer depending on the
subject matter. Not every concert can be
sold to the same buyer, it is all dependent on the music genre and also the
caliber of the event. If I were to be
signed on I would prefer to be on with Insomniac events. One major event that Insomniac hosts has now
found its new home in Vegas. This event
is known as the Electric Daisy Carnival.
This event consists of six different stages and an ocean of people. The vast stages that the performers play on
are always different and always provide a sense of something bigger, which is
something I would love each photo taken to portray. While I would prefer music events, any event
is something I will take due to the fast pace, as long as in the end I’m not
doing studio portraits and have something new every time I go to work I’ll be
completely content with my job choice.
Week 1 EOC: "Voice"
Event photography is something that is
always changing depending on the job being taken. My love for this has come from always finding
a solution to the challenge at hand.
From low-lit areas to the mismatching temperature of lights, I have shot
it, and each time I have found a way to come out on top to please the
client. The jobs I have taken branch
from completely casual to very formal all with the same output of relieved
individuals knowing that they are in good hands when needing photographic
documentation of the event. My main
goal, aside from solving the problems that may occur, is to make sure that you
are pleased with what you have hired me for.
My second love for event photography comes from my passion for mainly
shooting natural light. No, I don’t have
an internal hate with studio lighting, I prefer the look of naturally lit
images to that of images with a staged light source or even a staged
subject. To me, nothing is more perfect
in an image than a true human emotion, one that people can identify with, one that
can establish a bond with the viewer and simply show the joys in life itself.
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